Books
Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Durham, NC: Duke University Press, 2022)
Articles
Nicole Erin Morse and Lauren Herold, “Beyond the Gaze: Seeing and Being Seen in Contemporary Queer Media,” Jump Cut: A Review of Contemporary Media, vol. 60 (2021).
Nicole Erin Morse, “A Frown Turned Upside Down: Hypervisibility and Obscurity in Vivek Shraya’s Trauma Clown (2019),” Public 62 (2021): 28-37.
Nicole Erin Morse, “Where Do Aliens Pee?: Bathroom Selfies, Trans Activism, and Reimagining Spaces,” in Media Crossroads: Intersections of Space and Identity in Screen Cultures, edited by Angel Daniel Matos, Paula J. Massood, and Pamela Robertson Wojcik (Durham, NC: Duke University Press, March 2021): 21-33.
Nicole Erin Morse, “A Madea Sensation: Paradox and Trans Feminist Possibilities in Tyler Perry’s Work,” Discourse: Journal for Theoretical Studies in Media and Culture 42, no. 3 (Fall 2020), 332-355.
Nicole Erin Morse, “Authenticity, Captioned: Hashtags, Emojis, and Visibility Politics in Alok Vaid-Menon’s Selfies,” Media/Culture, vol. 20, no. 3 (2017)
Nicole Erin Morse, “Seeing Double: Visibility, Alternative Temporality, and Transfeminine History in Transparent,” Jump Cut 57 (2016)
Nicole Erin Morse, “A Double-Take on Reality Television: Laverne Cox’s Political and Pedagogical Gestural Humor,” Feminist Media Studies, vol. 16 (2016), pp. 168-180
Nicole Erin Morse, “Pornography in Sex Research: The Construction of Sex, Gender, & Sexual Orientation,” Porn Studies, vol. 2, no. 4 (2016), pp. 314-328
Videographic Criticism
“Some People Like Hearing Sad Things,” [in]Transition: The Journal of Videographic Film & Moving Image Studies, vol. 5, no. 3 (2018).
Other Writing
“Visual Pleasures in Magic Mike’s Cinema,” Flow: A Critical Forum on Media and Culture 28, no. 3 (2021).
Nicole Erin Morse, “Book Review of Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change,” Critical Inquiry, July 29, 2020.
“Trans* Cinematic Embodiment: Spectator and Screen,” TSQ: Transgender Studies Quarterly 7, no. 3 (2020): 524–526.
“No One is Disposable: Ecofeminism and Climate Crisis,” with Daniella Orias, in Celebrating 50 years of Gender, Women, and Sexuality Studies, edited by Julie Shayne (Washington: Pressbooks, 2020).
Review of Ilan Stavans’s “I Love My Selfie” for boundary2 (2017).
“Daughter, Mother, Mirror: Zackary Drucker's Southern For Pussy,” Open TV – Beta (2015).